Thursday, October 8, 2009

Young Swampy Formalism


Sarah Foqué (Leeds, UK), Eric Henzler (Stuttgart) , Erich Marty (Winterthur, CH) , Trine Pedersen (Kopenhagen, DK), Matthias Santiago Stähle (Hamburg) , Arne Schneider (Stuttgart)

Vernissage: Freitag, 30.10. 2009 , um 20 Uhr
Einführung: Gerhard Friebe
Ausstellungsdauer: 31.10.09 bis 22.11.09
Öffnungszeiten: Sa + So : 15- 19:00 und nach Vereinbarung (Tel.: 0711 / 6493968)
Ort: OP-Nord; Nordbahnhofstraße 45, 70191 Stuttgart , U-Bahn Linie 15, MilchhofDie Ausstellung Young Swampy Formalism bringt junge europäischer Künstler mit interschiedlichen Ansätzen in Malerei, Zeichnung und Videoarbeiten zusammen. Sie verbindet ein entscheidendes Merkmal: die Auseinandersetzung mit dem spannungsverhältnis zwischen Konzeptidee und Arbeitsprozess, verbunden mit einem klaren Hang zu subtilen Humor.

The exhibition brings together young European artists with different positions in painting, drawing and filming. They all got one key feature in common: they're all dealing with the two poles of conceptual ideas and working process, combined with a clear preference for an understatedsense of humour.

Thursday, September 10, 2009

Project Zagreb

Since my move to the Netherlands and starting my new job. I spend about 1.5 hours on the train commuting. To me this equals to 1.5 hours of reading, sketching and writing time.
Recently I have been using this time to read 'Project Zagreb', a book by E. Blau and I. Rupnik. It deals with zagreb's urban history
One particular chapter of this book caught my attention, the section that deals with 'The Green Horseshoe'. The Green Horseshoe is a U-shaped network of green spaces and institutional buildings, which was the brain child of Milan Lenuci. Through architectural projects and programming he managed to maintain and create public space in the new urban expansion in the early 1900s. Milan Lenuci saved some areas from development by giving them a public program. For example: He created skating rinks on these spaces during winter and opened them up for sports and fairs during summer. By doing this he made the spaces part of public life and saved them from development. Milan Lenuci used public life to create public space.
According to me, my idea of rolling design (see earlier posts) is made up of a similar process of programming. In Rolling design though the process is used to re-link/re-engage people with an already existing public space. Rolling design is like the re-programming of a public space or the re-starting of a program in a public space. This type of programming allows people to re-claim the public realm for their public lives.

Tuesday, July 14, 2009

Irrepressible Movement - Photo's

Last week my latest exhibition, which is a collaboration with James Johnson-Perkins, opened. Here are the first pictures:
James and I were invited by the artist in residency at Cecil Sharp House to create an installation. Cecil Sharp house is the base for the English Folk Dance and Song Society. The installation makes use of this context. The big squares with 3 rectangles symbolise a movement in English Morris dancing. Further they create a rhythm Throughout the building which reasonates of the music accompanying that same dance. In the staircase James built a big tower of Mega blocks. This tower symbolises a May pole. My lines follow the staircase round the May pole like a dance incorporating the architectural form.

Saturday, July 4, 2009

Irrepressible Movement Flyer


Sarah Foqué & James Johnson-Perkins: New Work
10 July – 29 August 2009
Open: 10 – 6pm, Tuesday – Saturday

private view: 6pm, Thursday 9th July
Cecil Sharp House
2 Regents Park Road
Camden
London
NW1 7AY

nearest tube: Camden Town

The English Folk Dance and Song Society (EFDSS) are pleased to present an exhibition of new site specific work from artists Sarah Foqué and James Johnson-Perkins.

Through vividly coloured materials, both artists will respond to the Cecil Sharp House building, the home of the EFDSS, as a starting point for work as they attempt to directly interact with its community and interior.

Responding to a site's history and the movement of people through it, Sarah Foqué creates installations with straight bands of colour. Drawing on histories of philosophy and anthropology, Foqué focuses on the mapping and exploration of space and boundaries. Typically using coloured tape as a material to visualise her understanding of the space she is working in, Foqué will create a fluid portrait of the space and its activities, alluding to traditional dance figures.


James Johnson-Perkins utilises references to popular culture of the 1980s to create works of play and nostalgia. His installation, spanning all four storeys of the building stairwell, will attempt to build the tallest structure ever made from Mega-Bloks. This construction will represent an absurd May Pole in the centre of the building, at odds with the surrounding architecture.


Artist-in-residence Matthew Cowan will be holding a free open studio event during the private view and on Friday 10 July, 10am - 5pm.


facebook event page:
http://www.facebook.com/s.php?ref=search&sid=0a1784a2abdb58800e15f4a312ccafa1&init=q&q=efdss%20%40%20csh#/event.php?eid=225214145092&ref=nf

http://efdss.org/news.htm#artistsnewwork

Wednesday, June 24, 2009

PGDip over


Finally finished my PGDip in landscape architecture, what a trip it has been! I have learned to be patient and not to rush things.

My project, Rolling Design, encapsulates my thinking about landscape architecture and to a certain extent about public art. As set out earlier in this blog, Rolling design, uses events to activate a place. This process of activation will engage the community. The positive momentum created by the activation and engagement will lead to the start-up of an engaging and creative design process involving the designer but also the community and site, which will never end. Rolling Design will provide for gradual design interventions and a continuous process of activation.

Thursday, June 18, 2009

Irrepressible Movement


New Work from Sarah Foque & James Johnson-Perkins
Cecil Sharp House
Camden
London
10th Jul - 31st Aug
Preview, 9th July, 6pm


This exhibition showcases colourful new work from Sarah Foque & James Johnson-Perkins. Both artists' work is site specific and utilises intense colours in its execution. Sarah Foque creates installations with straight bands of colour, responding to a site's history and people's movement through it. James Johnson-Perkins uses references to popular culture of the 1980s to create works of play and nostalgia. His installation at Cecil Sharp House will span all four storeys of the building through the centre of the staircase, whilst Sarah Foque's multi-coloured lines will be immediately viewable from the main entrance.

http://www.johnson-perkins.co.uk/
http://www.efdss.org/

Wednesday, October 8, 2008

What is Queen Square?

Last week I had a conversation with the MA landscape architecture course leader, Fleure Gething, about my idea of doing a personal design option as my elective. After a long think I had decided to not go ahead with it. But during our conversation she told me about Queen Square. Queen Square is an old Victorian Square near Hepworth Point, the building where the landscape department currently is situated. She told about its run down condition and lack of interest of the council and Leeds Met. This sparked my enthusiasm. By the end of our conversation I was quite keen to let my lines loose on this space. But this time I controlled myself, instead of just going in and doing something based on my instincts and observations as I normally do, I wanted to do some research and really give my work some more depth and rootedness. The key questions within this project would be what is Queen square, how well people know it and how can I activate it and raise its profile. The space exists, but how can I turn it into a place, a destination?

With those three core questions in my mind I started thinking. First of all what is Queen Square? On a first glance I would not classify it as a square but as a park, as it is mainly green space and not hard surfaced. I would also not call it a public space as it is hardly used and how can you classify a space as public as the public is hardly there to use it. These are just first observations no definite judgements, but no the less important to note down. For me to get a full understanding of the site I need to look at the history, the present and the future potential. Within the present situation my second question, how well do people know Queen Square, becomes quite important. The knowledge and view of the wider public on Queen Square will help to expand my view of the place beyond my own research. With this research question I would focus on the surroundings of Queen Square as this will be the main location of (possible) users of the square. The next question I asked myself was, how do you find out how well people know a place and how do you do this in a visual interesting way? First I thought about going round asking people the question and filming it, but as I am not good with camera and do not know how to edit film, I quickly dropped this idea. Then I thought about this book 'Lines, A brief history' by Tim Ingold, that I just read, in one of the chapters he talks about mapping and more interestingly how people draw a map for some one else to use to find their way to a certain location. These kinds of maps are simple line drawings showing the route and key recognizable point/landmarks. I would like to use this technique to see whether Queen Square is seen as a landmark and/or if it is even known at all. The idea I conceived is to go around the surrounding Leeds met buildings and private houses and ask the people there to draw me a map from Central Station to Hepworth Point, then I would ask them to do the same but this time the end location would be Queen Square, the third question would be what is Queen Square and the last would be how old are you, how long have you been living in Leeds and what is your occupation? The first question would show me whether Queen Square is used as a recognizable point to guide people from. The second would reveal if people know it at all and the third would provide me with their definition. The last questions would give me an idea of how much which type of people knows about Queen Square. The first two questions would provide me with a visual, while the others with a written text. This part of the project would require the help of Leeds Met students, visitors and staff and the inhabitants of the surrounding houses.
The last question how can I activate Queen Square and raise its profile? The answer of this question would be answered by the above research and also by doing research into wider Leeds cultural life. Cultural life here, does not only cover the arts, but also sports, performance, family days out,... I will look at what Leeds and more importantly what the users of the square lack in this field and how I could provide that within the context of Queen Square. First action would be to raise the profile of Queen Square by using my lines/art installation, which would be based on how people use and experience the square, the boundaries of the square and its history. After that I would again consult the people I consulted before and ask them what they would like to see in the Square and how they would like to see it to be used. After the consultation I will aim to host some cultural events and try to re-design Queen Square so it becomes more suitable to its new active functions. This design would not be an end point but a starting point for a new active and evolving life. If Queen Square's function would change, so would the infrastructure... The viability of our public spaces lies in their ability to adapt to our ever changing needs. They form the platform on which public life takes place.

I would like to undertake this design exercise as part of my 2nd Nature elective as it would provide a new way of looking and thinking about public places. It would see public space more as a verb then as an inert static object.